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Navigating History, Memory, and Mythology: The Challenges of Depicting the 1919 Winnipeg General Strike
The idea of creating a film about the strike as seen through the windows of a steam bath came to Gonick after seeing an exhibit for its 75th...
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Carbon Capture: Experimental Strategies for Re-Presenting the Anthropocene
The term Anthropocene was popularized in the early twenty first century by Dutch chemist Paul J. Crutzen, who proposed a new demarcation of geological time characterized by a variety...
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Carbon Capture: Experimental Strategies for Re-Presenting the Anthropocene
Nisha Platzer and Malin Schmid’s Seed (2018) is an example of hand processing used in this way. The rough, mottled, hand-processed textures complement the close-up images of plants, water,...
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Carbon Capture: Experimental Strategies for Re-Presenting the Anthropocene
In Michael Lyons’ Porto Landscape (2018), a “city symphony” film set in Porto, Portugal, various temporal devices are used to complementary effects. Lyons plays with mixing different “speeds” of...
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Carbon Capture: Experimental Strategies for Re-Presenting the Anthropocene
Exemplifying a different approach to time, most of Kathleen Rugh’s Winter’s First Moons (2018) utilizes double and triple exposure to playfully combine footage of the moon in a free-flowing...
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