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The Black Diaspora in Conversation: From Ousmane Sembène to Marilyn Cooke
Mati Diop has downplayed Sembène’s influence on her work in favour of her uncle, Djibril Diop Mambety’s filmography. Samba Gadjigo, the foremost scholar on Sembène, argues that Sembène paved...
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Unexpected Images
It is a policy of Studio C and Prospect Human Services to refrain from giving artist’s full names in order to protect the identity of their students, as they...
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A Powerful Audience
*PB: Well, it was interesting, when I attended a festival recently I didn't even realize I was in a Women's Shorts package. I was racing right from another...
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Homo-Sighting: Consent & Refusal of Queer Performance in Ryan Danny Owen's LOVE ME LIKE THERE'S NO TOMORROW
Los-Angeles based artist and film director William E. Jones used this 1962 Mansfield footage for his video works Mansfield (2006) and Tearoom (2007). Jones created Mansfield after finding a...
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The Instability of Place: Kevin Lee Burton, Paul Wong & Amanda Strong on grunt gallery’s Urban Screen
The idea for a new screen began in 2014 when a City of Vancouver public art consultant approached three artist-run centers in Mount Pleasant: grunt gallery, The Western...
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Creating a Baseline
*Ted Stenson: Can you tell me about the very beginning of this project? How long ago did you start working on it?* Gillian McKercher: The formal start was...
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Navigating History, Memory, and Mythology: The Challenges of Depicting the 1919 Winnipeg General Strike
While Foote’s photos have stood the test of time, films shot during the strike have largely been relegated to obscurity, and many of them have been lost forever. According...
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Don’t just sit, don’t just stop
Bonum [bo-NOOM], meaning “do for good anyways,” is a series of dream sequences between four dancers, choreographed and directed by Sabrina Naz Comanescu, and filmed and edited by Aran...
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Creation, Loss, and Rediscovery: On Sandi Tan’s SHIRKERS
Though what remains of the original Shirkers film is soundless, it is still very much alive. Watching the footage Tan salvaged from the recovered film canisters, there is...
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Don’t just sit, don’t just stop
*LUMA: Yeah, that was one of my favourite parts—how it's so conversational... There’s a Romanian and then an English voice, and they’re all speaking really poetically, and whatever they...