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• The Art Experience vs The Art Object: Performing Arts in the Digital Realm

  To achieve liveness, at some point, you must be live. You cannot replicate that moment of the shredded canvas, and pre-recorded content can be perfectly copied again and...

• Creation, Loss, and Rediscovery: On Sandi Tan’s SHIRKERS

  Though what remains of the original Shirkers film is soundless, it is still very much alive. Watching the footage Tan salvaged from the recovered film canisters, there is...

• The Texture of the Gesture: Exploring Apostasy and Ancestry in Jeremy Moss' THESE WAYS I TRANSGRESS

  Beyond this material treatment, the process of recording images for the film may be the most compelling element of the work. Moss travelled with his family (a trip...

• As the Mind Tracks Shape... As the Mind Recalls Sound...

  JN: Printed text and recorded speech play important roles in your work as positioning devices. What are the powers each brings that determine when you might use one...

• Requiem for a Glacier: Mourning Climate Change

  The video installation moves back and forth between whole and split screens, an effective way of showing the terrain as the viewer gets to see the site and...

• FAVA TV: Bringing Media Art to the Masses

  Scholotiuk explains: “We found by doing that every video took time, and because it had to go through a person--me--to facilitate this, I became the de facto curator,...

• Fostering Women and Filmmaking: 30 Years of Herland

  The recent mentorship screening began with Lydia Adair's Errands, a multi-threaded film that examines the intersecting lives of people who meet in line at the bank. Adair’s narrative is...

• FAVA TV: Bringing Media Art to the Masses

  Cunningham, a founding member of FAVA, recalls why the organization came into existence in the first place. The gatekeeping of the old way of working was such that...

• THE QUEEN OF MY DREAMS: An Interview with Fawzia Mirza

  *KH:* The casting of Amrit Kaur from the TV series Sex Lives of College Girls as Azra, the protagonist, was perfect. How did she become involved?  *FW:* We worked...

• Time Record: A Memoir of Teenage Cinephilia by VCR

  I first saw The Mephisto Waltz not on a commercial VHS tape, either rented or purchased, but as one taped off of broadcast television. I last saw it...