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• Felicia Glatz

  Felicia Glatz holds a degree from the University of Calgary in Film Studies and is a proud and enthusiastic member of Calgary’s eclectic film community. As a writer...

• thirstDays No.08: SO WIDE SO LOW SO HIGH

  The first piece to be introduced is the short film, The Last of the Nepinaks (2005) by Skownan First Nation artist Darryl Nepinak. The film follows a toddler...

• The 10th Alberta Biennial

  Creating limitless entry and exit points, Object Vocation exists as a rhizome, working laterally rather than hierarchically. It resists narrative structure, enabling a waterfall of connections between semiotic chains,...

• Listening to Wetland Project on Earth Day 2020: “It’s always the right sound at the right time”

  The piece was presented as an immersive five-channel installation—a screen for each of the microphones on the log used for recording—at VIVO Media Arts Centre in Vancouver during Earth...

• Less Grey

  *TS: Has this post-production process changed how you will direct in the future? * GM: Everything about Circle of Steel has changed how I will direct in the future! I...

• On Collectives, Projects, Film Itself, and a Sausage Factory

  *LM: I’m really especially interested in this film-lab-in-a-sausage-factory thing you are doing now. Can you tell me more about it?* KR: Certainly. My partner, Nazli Dinçel, and I recently moved...

• FAVA TV: Bringing Media Art to the Masses

  With that boost, they started building the app one partner at a time. Soon, other arts organizations, the Edmonton Folk Music Festival, Shumka dance, and other media arts...

• Behind the Screen: Lessons from Making IN PLAINVIEW

  *TH: While you can easily access In Plainview anytime you want via Amazon’s streaming service, the road to getting it on there wasn’t nearly as quick as logging...

• FAVA TV: Bringing Media Art to the Masses

  “We used to laugh at him. We called it Space Station Andy, it sounded so outrageous! He had a lot of good ideas, but the scope of it...

• Culture & Capital: “Real failure needs no excuse” at the Esker Foundation

  A REAL JOB  A major reason that Ibghy and Lemmens have chosen to focus so intently on non-productivity in their studio practice is to disrupt the enormous external and...