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• Alone Together, Fast and Slow: Browsing through the films of Greetings from Isolation

  Despite their varied tones, imagery, and modes of storytelling, the majority of the Greetings from Isolation films nonetheless cumulatively present a shared experience of life in isolation, primarily through...

• On Collectives, Projects, Film Itself, and a Sausage Factory

  *KR: Over the last few years, you’ve been conducting interviews and producing footage for your soon-to-be completed newest work, The Story of Film, about the state of analogue film....

• B.G-Osborne's A THOUSAND CUTS: Misconceptions of Trans People in Popular Culture

  Thompson praises Osborne’s work, “I never felt that I saw someone like me represented on screen until I saw Sense8.⁹A Thousand Cuts shows just how rare a truthful portrayal...

• Hopping for Hope: Ahreum Lee at The New Gallery

  Ahreum Lee’s exhibition Hopping for Hope at The New Gallery in Calgary re-imagines childhood games on a global scale, posing questions about ownership, borders, and global identity. The show...

• The Epic of THE IMPOSSIBLE BLUE ROSE

  Nearly 40 members of Calgary’s community were approached to participate in Lipton's grand re-enactment of THE IMPOSSIBLE BLUE ROSE last June, solicited online and through word-of-mouth. The resulting performance, titled Signed, Your Loving Secret Admirer, took...

• Keep it loose: a short history of the Artifact Small Format Film Festival

  The first $100FF took place in 1992 in the basement theatre of a church at 1703 1st NW—which was also the CSIF headquarters. An intimate overcapacity audience took...

• Who Can Save the Brides of Billy?: Horror and Gender in "Black Christmas" and "The Bloody Chamber"

  The telephone—a device that reinforces the theme of seeing/not-seeing—is the focus of some of the most terrifying scenes in Black Christmas, turning the killer into a bodiless, transcendent voice,...

• Being Artful: An Interview with Multimedia Artist Brad Necyk

  *SC: Due to these diverse mediums, you exhibit shows in a number of different contexts and gallery spaces. In Alberta alone to start 2020 you're participating in the...

• Özgün Eylül İşcen

  Özgün Eylül İşcen is a 3rd year PhD student in Computational Media, Arts and Cultures at Duke University. Her interest in new media theory and practice is situated...

• A Land I Know as Well as Myself: Cheyenne Rain LeGrande ᑭᒥᐊᐧᐣ’s MASKEKEWAPOY ᒪᐢᑫᑫᐊ

  I think about this idea a lot. I’m Pakistani by heritage, born and raised on stolen land. I live in Alberta, knowing that Whiteness has claimed this land as...