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• Inside “Western” Filmmaking: An interview with Katie Wackett of CSIF

  As mostly a demographic term, “Western” also carries with it the connotation of access within Canada’s publicly funded system. In particular, regional centres of Western filmmaking have traditionally been...

• The Darkened Room and Reflected Magic: Donald Lawrence and the Camera Obscura

  This on-going research brings the enduring relevancy of the camera obscura to the fore. The Nanton Camera Obscura affects viewers in many ways. Those who interact with it...

• The Spectacle of Power: Ken Russell's THE DEVILS (1971)

  Grounds for the trial begin as Abbess Jeanne (Vanessa Redgrave), like most women in the film (and what is most strenuous on the film’s suspension of disbelief), falls for...

• THE QUEEN OF MY DREAMS: An Interview with Fawzia Mirza

  So it was a remarkable experience across the board, working with these incredible actors, Amrit Kaur [Azra, the protagonist] and Hamza Haq [Hassan, her father] and Nimra Bucha [Mariam, her mother],...

• Machine Language Protocol: Jeremy Shaw’s QUANTIFICATION TRILOGY

  The “interviews” and the rest of Quickeners, has been reworked from real-world documentary footage about a snake-handling Evangelical Christian sect from Appalachia in mid-century America. The black and white...

• Calling All Queers: A Spotlight on NFB Animation

  In A Short Film about Tegan & Sara (2018), Asian-Canadian artist Ann Marie Fleming⁹draws stick figures on brightly coloured backgrounds to illustrate the career of Calgary born musicians and identical twins Tegan and Sara Quin....

• Crossing Borders

  More fences flash by six years later—this time at Esker Foundation in Calgary, Alberta. Fences of different patterns, designs, and materials change and morph throughout Postcommodity’s four-channel projection, A...

• Totally By Yourself In This Vast Emptiness: Ted Kotcheff on "Wake in Fright"

  TS: Wake in Fright has been described as a horror film or a sort of horror-western. Was your approach to make it as a genre film?  TK: No, I...

• Maybe We Should Have Made That Doc

  *BB: Did you write the script in terms of shots? * CC: I don’t write in terms of shots. I just can’t think about that until it’s done....

• A Powerful Audience

  SS: But then at the same time, you know, I was [also] on the panel for women. There was a live audience, really great conversations at CIFF this...