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• Less Grey

  *TS:* *Everything you’ve done before Circle of Steel was much shorter: web series, short films, music videos… What had been your previous experience of the post-production process? * GM: When I made the second season...

• Ektoplasm-o-vision! with Guy Maddin

  ML: On a different topic, I Googled “Maddinesque” this morning... GM: Oh, I’ve never done that. ML: I got about 10 000 hits. And somebody added it to urbandictionary.com in...

• In Betweens

  “Unite Alberta.” In the wake of happenings south of the border, Jason Kenney, leading candidate for the Progressive Conservative Party of Alberta, has been inspired. Branding himself with the Alberta...

• Edmonton Sound Expands

  “We release things on tape.”²⁸That’s Parker Thiessen’s pithy description of Pseudo Laboratories. Thiessen co-founded the label with Ian Rowley, his collaborator in the ambient music project Private Investigators. Since their...

• thirstDays No.08: SO WIDE SO LOW SO HIGH

  Karaoke transition. It’s Elton John’s Benny and the Jets, sung by Brit Bachmann. The final contributors are introduced—I’ve been watching for about an hour and a half. First-time collaborators...

• Failure, Transformation, Order: Tasman Richardson's "Janus"

  A combination of his once-sidelining Atari experimentations and his now-established Jawa technique, Janus stands as a new and more unpredictable manifestation of the artist’s intent to create languages of...

• Paint and Popcorn

  In the midst of all this engorgement—popcorn butter having created a sheen on my hands and face—I am left with the feeling of not being satiated. This feeling...

• The Texture of the Gesture: Exploring Apostasy and Ancestry in Jeremy Moss' THESE WAYS I TRANSGRESS

  Moss is now a self-professed atheist, although even this allegiance makes him uneasy; “I am averse to any/all absolutes. I don't believe in god, but I don't want...

• Equinox Vigil in Calgary’s Historic Union Cemetery 2012 –2018: A Farewell

  Afterword by Aran Wilkinson-Blanc   A tray of sugar skulls with our names on them, in a cemetery, after dark. It was around August that a group of artists, technicians, and...

• PRAYER FOR A LOST MITTEN: An Interview with Jean-Francois Lesage

  *GC: Where did the idea for the film come from?* JL: I wanted to make a film about longing. We don’t have this word in French, but it’s...