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• Digging in the Dirt: Uncovering the Silent Epidemic Among Albertan Oil Workers

  Glenn Bielech was another one of those fly-in fly-out workers. He was in the oil fields for over 35 years, living in remote regions of Alberta. Over the...

• Totally By Yourself In This Vast Emptiness: Ted Kotcheff on "Wake in Fright"

  TS: What was the Australian film industry like at the time? Was it similar to Canada’s or were they more developed? TK: Yeah, they were slightly more developed...

• Editor's Note

  Unlike the Rocky Mountains that leave you thunderstruck by their sheer monumentality or the thrill of seeing orcas cavorting in the Active Pass between BC’s Mayne and Galiano Islands,...

• PRAYER FOR A LOST MITTEN: An Interview with Jean-Francois Lesage

  *GC: What limitations from conventional documentary filmmaking are you resisting? I can feel that there are conventions that you are getting rid of. For instance, the lack of names,...

• Creating a Baseline

  *TS: Never having written a feature before, how did you approach the writing phase? Did you just say, ‘I’m going to write a script and that will be...

• Supporting Each Other in Genuine Ways Where We Are Now

  The individuals in this issue—writers, filmmakers, and artists—each take a marked interest in the people around them… using generous collaborations, absurd collages, to create spaces where uncertainty is not...

• Culture & Capital: “Real failure needs no excuse” at the Esker Foundation

    THE STUDIO: THE OFFICE One houses a particularly nebulous type of labour, while the other is designed specifically to execute tasks. In the studio, where process is a goal...

• Edmonton Sound Expands

  Since Kelly Ruth moved to Edmonton from Winnipeg,³she has played several solo gigs, participated in multi-artist bills, carried out an artistic residency in Iceland, and, this summer, became the...

• What’s Found & What’s Wrought: On Abbas Kiarostami’s CLOSE-UP

  Close-Up brings tensions between classes into the foreground, exploring the differences of wealth and the way that people personally separate from each other as a result. The working class...

• If you tell yourself garbage is art, is it possible to be wrong?

  Collecting and examining what is discarded by popular culture seems like a secret key for cultural change. Maybe that is why indie culture, rare records, and unique but...