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• Handmade Portraits

  This is Lindsay McIntyre’s response to the “death” of the medium in the digital age. Hailing from Edmonton, McIntyre has been selected as the Visiting Artist for the 24th...

• Creation, Loss, and Rediscovery: On Sandi Tan’s SHIRKERS

  Regardless of the dynamics between her friends and Cardona, she was determined to do whatever she needed to get her film made. Talking about the production, Tan equates...

• Behind the Screen: Lessons from Making IN PLAINVIEW

  Watterworth chimed in adding that visually it’s akin to Hell or High Water[https://www.imdb.com/title/tt2582782/?ref_=fn_al_tt_1], a slow-burn story of two brothers who turn to bank robbing when they can’t pay the mortgage...

• Editor's Note

  "We were taught art history wrong." Allison Leigh[http://sirensongallery.academia.edu/AllisonLeigh/Talks], Postdoctoral Fellow at Cooper Union, stood up in a room full of the world’s most influential Media Art Historians and ethicists—a room built...

• Queers and Our Counterparts

  AF: Mm. NK: —Films, you know, can occupy those spaces as well, but also have their own life via, you know, social media, and the internet, and also— AF: Yeah, they go into...

• Navigating History, Memory, and Mythology: The Challenges of Depicting the 1919 Winnipeg General Strike

  The inclusion of Emma’s character represents a trend in films about the Winnipeg General Strike towards representing marginalized communities who weren’t part of the original strike narrative. “Absences in...

• A Formalism of Feeling: Queer Temporalities and Memory in PORTRAIT OF A LADY ON FIRE

  With these instances, Sciamma flirts with the coincidences present in heterosynchronic texts. What are the chances that Héloïse would still own the book so many years later, that the painter would...

• The Spectacle of Power: Ken Russell's THE DEVILS (1971)

  Another earlier scene, Jeanne of the Angels is tortured publicly in the name of cleansing her spirit, and a crowd wearing black masks watches. This masked audience echoes...

• THE QUEEN OF MY DREAMS: An Interview with Fawzia Mirza

  *KH:* This is your first feature as a director, what were the challenges that you faced in making the film?  It was only after the fact that I had the reflection...

• On Collectives, Projects, Film Itself, and a Sausage Factory

  *LM: What is it that attracts you to film as a medium, and what are your own thoughts about the status of the medium in the digital age?* KR:...