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Machine Language Protocol: Jeremy Shaw’s QUANTIFICATION TRILOGY
The three short films in Vancouver-born, Berlin-based director Shaw’s Quantification Trilogy, Quickeners (2014), Liminals (2017), and I Can See Forever (2018), look like documentaries dating from the near to...
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Editor's Note
The things in my apartment don’t look like they are moving. Embedded to my left like a member of Stonehenge sits one of my waist-height Technics speakers[http://img.canuckaudiomart.com/uploads/large/467252-technics_speakers_sba37.jpg], a moving-out spider plant[http://tipnut.com/projectpics2/spider-plant.jpg] from my mom on...
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Lorenza Mazzetti: Free
The idea behind Free Cinema became official in February 1956, one month after Lorenza finished making Together. She was heartbroken, but she still had her friends, a colourful group...
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Forest Illuminations in the Time of COVID
Since I arrived in Canada 18 years ago, I have slowly let this land and its own natural knowledge and mysticism slip into my soul like drip coffee....
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Maybe We Should Have Made That Doc
*BB: Speaking of professors, can you tell me about the inspiration for writing Nancy? * CC: One of our professors in film school—Nick Proferes—was the DP on this amazing film from the ’70s called Wanda (1970), which was written,...
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Listening to Wetland Project on Earth Day 2020: “It’s always the right sound at the right time”
Listening to Wetland Project was a richly textured experience. The sounds of the marsh layered with the ambient noise of my life in isolation: the purr of the...
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Human Rights and Film at 150
*ALANA CONWAY: Our Canada, My Story focuses on seven short films to explore the lived experience of Canadians from across the country. Why did you choose these individuals, and...
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Serenity, Destruction & Inauthenticity: The Transformation of Alberta in BROKEBACK MOUNTAIN and THE REVENANT
The transformed Albertan landscape is given fleeting snapshots in these opening moments, unrecognizable on account of the little time spent on them as well as the extent of the...
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By A Shift Of Distance
Stylistically, Robert Altman is renowned for ensemble casts, resisting the bounds of any one genre and for a constantly moving camera that plays venue to evolving worlds, lengthy dialogues...
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Uncertain Frontiers: Female Identity and Rural Spaces
The rise of the female perspective in Western film with the pioneer woman trope intended to work against idealized portrayals of settlement life often found in art made...