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Editor's Note
I have been thinking a lot lately about whose stories are being told, and even more importantly who gets to do the telling. Is it important who the...
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An object is a slow event.
NW: But this is also an act of exercising your power over it too, right? Saying, ‘They can't exist on top of each other, but I'm going to...
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Jason Edward Lewis: The Indigenous Future Imaginary
LUMA: What programs or mandates would you like to see in place in order to support visibility of this kind of work going into the future? ...
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Digging in the Dirt: Uncovering the Silent Epidemic Among Albertan Oil Workers
Dennis Shinksi’s story mirrors many others. Shinski and Dallen were childhood friends and when he got the news of Dallen’s death, his first reaction was anger. That’s when things...
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Digging in the Dirt: Uncovering the Silent Epidemic Among Albertan Oil Workers
Chris Johnson’s story follows Dallen’s. When Johnson started working in the trades at 19, it was perfect for a young kid. It gave him something to focus his...
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Double Visions: Stephen Broomer & Kyle Whitehead in Dialogue
SB: Your description makes me think of the notion of spooky action: action at a distance, the notion in physics that—if I may abuse it and bend it...
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A Formalism of Feeling: Queer Temporalities and Memory in PORTRAIT OF A LADY ON FIRE
It is noteworthy that during Marianne’s final days, she is haunted by prophetic, images of Héloïse in her wedding dress. Occurring right before having sex with Héloïse for the first time, and...
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How Real Do You Want Me To Be?: Kate Craig’s DELICATE ISSUE
The soundtrack contains heavy breathing accompanied by the sound of a heartbeat. At times the heartbeat and breathing become slightly muffled by the microphone. In the initial shots of...
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Queers and Our Counterparts
DM: Mhm. AF: —that in order to sort of validate the conversation of like a gender queer or trans body, there has to be nudity involved. NK: Hm. AF: Um… DM: Which...
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Creating a Baseline
*Ted Stenson: Can you tell me about the very beginning of this project? How long ago did you start working on it?* Gillian McKercher: The formal start was...