Search Results

You searched for "Searchbest site to buy fc coins🍽🍽🍽🍽️Coinsnight.com FC 26 coins 30% OFF code: FC2026. Great customer service experience this week.🥃🥃🥃🥃1ofx"

• Time Record: A Memoir of Teenage Cinephilia by VCR

  I would comb it for films I wanted to see, mostly airing in the middle of the night. “Ah, Ikiru (1952) is on Thursday night. I’ll record that...

• Editor's Note

  It is fitting that the 20th issue of Luma Quarterly is comprised of articles all about Alberta: mainstream films shot here, the innovative distribution of media art in Edmonton, an exhibition...

• Beyond Social Fact in Susan Hiller's PSI GIRLS

  Psi Girls is comprised of five scenes projected side-by-side, each portraying a young girl performing a telekinetic act. She cites iconic moments from The Fury (1978, Brian di Palma), The Craft (1996, Andrew Fleming), Matilda (1997, Danny...

• Stalking Our Doppelgängers: An Interview with Filmmaker Isaac Ezban

  *GM: The mirror is important in Parallel because it is the portal to other universes. But you also use mirrors in your earlier films to convey human identity...

• Of Love and Politics: Kiju Yoshida’s Love + Anarchy

  In the final film of the trilogy—the last film Yoshida ever made—Coup d’Etat (1973), Yoshida reaches back in history to February 26, 1936, when some 1,400 middle-ranking military officers,...

• On Collectives, Projects, Film Itself, and a Sausage Factory

  *LM: With Process Reversal you’ve done a lot of touring, traveling, knowledge-sharing, and engagement, which is really quite different than the activities of Double Negative—would you say that those...

• A Formalism of Feeling: Queer Temporalities and Memory in PORTRAIT OF A LADY ON FIRE

  As the dynamics between the women transform from an aching desire to becoming passionate lovers, the function of the film’s slow tempo and careful gaze begin to change....

• Intimacy and Distance: Mona Hatoum at the Western Front

  In the 1980s Hatoum created a series of videos at the Western Front that greatly informed the themes of her later artistic practice including fragmentation of skin, issues...

• On Collectives, Projects, Film Itself, and a Sausage Factory

  *KEVIN RICE: Based on your experience with Double Negative[http://doublenegativecollective.blogspot.ca/], what do you think is the most critical function that a film collective serves, both for the individual filmmaker as...

• Maybe We Should Have Made That Doc

  Interview with Christina Choe, recorded March 7th, 2018 in Los Angeles, CA. This interview has been edited for length.  *Berkley Brady (BB): How would you summarize the journey of [Nancy] actually getting...