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• Concrete constructs of linearity

  Kite’s intermittent silences punctuated her memorized script with deep pitches of audio that engulfed us within a sonic ambiance. The audience shared a unanimous quietness, consciously engaged as Kite...

• Concrete constructs of linearity

  Gesturing to one of the walls, illuminated by a floor-to-ceiling projection, Kite’s open-palmed hand incited the transition of the visuals to project an animated rendering as she introduced Einstein’s...

• Concrete constructs of linearity

  A repression exists in not accepting values and systems of knowledge held by cultures outside of the majority, due to the basic principles of hierarchy. This repression of responsible...

• Concrete constructs of linearity

  On the morning following the performance, Kite and I sat together and shared familial anecdotes as a way of circumnavigating the work. We shared our childhood fantasies and mysticisms,...

• Punning Photography’s Legacy: His dreadful glance

  This is less an exhibition of photographs than an exploration of the scopic imperatives that underlay the history and practice of photography. While all representational art relies on mimesis,...

• Punning Photography’s Legacy: His dreadful glance

  Directly ahead of the viewer on entering the exhibition is a framed page torn from a photography manual defining and explaining the use of available light. The page...

• Punning Photography’s Legacy: His dreadful glance

  Two untitled works—Untitled (unravel - front) and Untitled (unravel - back)—resembling rayographs present fragments of twigs and vegetal debris. While appearing to be contact prints, they are digital ink jet prints, trifling...

• On Collectives, Projects, Film Itself, and a Sausage Factory

  *LM: I remember you telling me something interesting about film being a physical place for you. Can you explain that? * KR: Part of what I find interesting about a...

• On Collectives, Projects, Film Itself, and a Sausage Factory

  *KR: At the Independent Media Arts Alliance (IMAA) Analogue Film Gathering in Calgary, you participated in a discussion on the issues of inclusion within the film community. This, of...

• On Collectives, Projects, Film Itself, and a Sausage Factory

  *KR: And, of course, there is no singular answer to the problem of inclusion in our community, but what would you say is the best step that organizations—including film collectives...