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• Editor's Note

  When I was a kid I absolutely adored the Wonder Woman TV series. To me, she was an aspirational, kick ass, female warrior. She made me believe that...

• Such partnerships, too: Eveline Kolijn’s THE OCEAN INSIDE

  In Eveline Kolijn’s The Ocean Inside (2019) images of plastic littered along the shore and the pallid remains of a devastated coral reef languish behind a quivering large-scale printed...

• Femme, Fierce, & f-stops: Women Working in Photography

  *Rocio Graham | @rociograham | rociograhamstudio.com* Rocio Graham calls Calgary home. She emigrated to Canada from Mexico in 2002. She studied art at Emily Carr University and at the...

• Femme, Fierce, & f-stops: Women Working in Photography

  *Elyse Bouvier | @elysebouvier | elysebouvier.com* Elyse Bouvier is a Western-Canadian artist based in Calgary with an MFA in Documentary Media from Ryerson University (2016) and a Bachelor of...

• Femme, Fierce, & f-stops: Women Working in Photography

  *Heather Saitz | @heathersaitz | heathersaitz.com* For over 15 years, Heather Saitz has been merging her skills as an award-winning photographer and art director to create compelling visual work,...

• Edmonton Sound Expands

  As children, Caitlin Sian Richards and Jenna Turner both played classical music. In their 20s, they turned to different modes of artistic expression—Richards to visual art, Turner to punk...

• What’s Found & What’s Wrought: On Abbas Kiarostami’s CLOSE-UP

  Kiarostami blurs the traditional line between documentary and fiction to tell and re-tell the story in Close-Up. The people involved all play themselves in the re-enacted scenes from the...

• What’s Found & What’s Wrought: On Abbas Kiarostami’s CLOSE-UP

  Images of flowers are repeated throughout the film. A man finds flowers in a pile of scraped up refuse on the road. We then see the flowers again...

• Such partnerships, too: Eveline Kolijn’s THE OCEAN INSIDE

  Kolijn’s installation relies on the integration of science technologies and art-making as a way to engage and educate viewers on important conversations about climate change and the effects of...

• Such partnerships, too: Eveline Kolijn’s THE OCEAN INSIDE

  Much has been written and discussed about the gaze of the camera: it’s patriarchal, steely glare simultaneously fetishizing and sterilizing its subjects into submission. From the lens of a...