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• Alone Together, Fast and Slow: Browsing through the films of Greetings from Isolation

  These short films have been released online since May 2020 and, for the most part, were produced during the early stages of the pandemic. They capture the feelings...

• Anj Fermor

  *Anj Fermor* is an artist and writer residing in Calgary, Alberta on Treaty 7 Territory. They have provided art work and writing for exhibitions throughout Calgary. This summer they...

• An object is a slow event.

  NW: Yes, I love this. As a programmer I can sometimes feel the discomfort in the room when people aren’t getting the narratives they’re expecting. But when they...

• Materiality, Interaction, and the Other: Colton Hash & Freya Olafson

  Winnipeg, MB artist Freya Olafson’s work addresses these questions through an exploration of the body as material. Olafson uses the physical body and digital representations of the body to interrogate how the body can be used...

• Don’t just sit, don’t just stop

  *LUMA: You can engage with more of your senses too because there's music happening, there's movement; there's an emotional exchange that you get to be a part of,...

• A Powerful Audience

  SS: When I was on a panel for Herland, a man approached me and said, ‘It would be great if you did this for men,’ and I said,...

• Blood on the Poplars: ALIEN THUNDER (1974) and the Story of Almighty Voice

  Though the Canadian prairies have provided the landscapes for a great many American Westerns, domestic Canadian Westerns are a rare breed indeed.⁵Alien Thunder is a far cry from...

• Concrete constructs of linearity

  When I was child growing up in a small town, my mother would indulge me in a fantasy that I possessed a magical power: the power to change...

• The Art Experience vs The Art Object: Performing Arts in the Digital Realm

  The performing arts are live. Dance-on-film has a rich history and animated objects are as often spotted on the screen (stop-motion, muppets, etc.) as on the stage, but...

• PRAYER FOR A LOST MITTEN: An Interview with Jean-Francois Lesage

  *GC: I think too, the choice of ending the film with collective hope rather than individual hope, can help. Especially because individual hope can be lonely, or even delusional....