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  • Fascinated and Repelled: an Interview with Lorenzo Fusi

    During his first three weeks, Fusi organized IKG LIVE1, an exciting two-day performance festival at the Alberta College of Art and Design welcoming the temporal works of over...

  • Fascinated and Repelled: an Interview with Lorenzo Fusi

    SARAH TODD: Performing the Landscape was one of the first projects you launched almost as soon as you arrived in Calgary as Visiting Academic Curator of IKG. Your...

  • Mark Clintberg

    *Mark Clintberg *is an artist who works in art history. He recently moved to Calgary to teach as an Assistant Professor at the Alberta College of Art +...

  • Ginger Carlson

    *Ginger Carlson* is a curator, writer, and gallery director based in Calgary, AB. She holds aBA Honours in Art History from the University of Alberta and an MA in...

  • Guillaume Carlier

    *Guillaume Carlier* was born in Montréal and grew up in Calgary. At an early age, he discovered film by working at The Uptown Theatre and Casablanca. He returned to Montréal to...

  • Concrete constructs of linearity

    When I was child growing up in a small town, my mother would indulge me in a fantasy that I possessed a magical power: the power to change...

  • Concrete constructs of linearity

    Gesturing to one of the walls, illuminated by a floor-to-ceiling projection, Kite’s open-palmed hand incited the transition of the visuals to project an animated rendering as she introduced Einstein’s...

  • Concrete constructs of linearity

    A repression exists in not accepting values and systems of knowledge held by cultures outside of the majority, due to the basic principles of hierarchy. This repression of responsible...

  • Concrete constructs of linearity

    On the morning following the performance, Kite and I sat together and shared familial anecdotes as a way of circumnavigating the work. We shared our childhood fantasies and mysticisms,...

  • Punning Photography’s Legacy: His dreadful glance

    This effort to make strange is heralded in the entrance to the exhibition, where the corkboards along the narrow entrance corridor have been ‘curated’ by the artist, who carefully...

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