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That's a Bad Photo
In an era defined by its self-consciousness, the contemporary image is clickbait, designed to appeal beyond local social communities to encapsulate a more global audience. Photographs distributed digitally often...
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Paige K Boudreau
Alberta-based filmmaker *Paige K Boudreau* began her career as an editor, cutting lifestyle TV among other projects. In 2010 she transitioned into the role of production coordinator and post...
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Steffanie Ling
*Steffanie Ling* is a producer of criticism, pamphlets, stories, essays, exhibitions, reviews, bluntness, anecdotes, shout outs, wrestling storylines, proposals, applications, jokes, readings, minimal poems, poems, dinner, compliments, and diatribes. She...
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Lorenza Mazzetti: Free
In 1902, Roberto Einstein—Lorenza’s uncle—met Cesarina Mazzetti (Nina, to her family and friends.) A few years later, they married. Their own two daughters, Anna Maria and Luce, were born...
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Lorenza Mazzetti: Free
In time, she heard that the school had a film society. She didn’t tell her professors, but she had decided to make movies. The first one, entitled K...
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Lorenza Mazzetti: Free
The idea behind Free Cinema became official in February 1956, one month after Lorenza finished making Together. She was heartbroken, but she still had her friends, a colourful group...
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Beyond Social Fact in Susan Hiller's PSI GIRLS
Psi Girls is comprised of five scenes projected side-by-side, each portraying a young girl performing a telekinetic act. She cites iconic moments from The Fury (1978, Brian di Palma), The Craft (1996, Andrew Fleming), Matilda (1997, Danny...
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Beyond Social Fact in Susan Hiller's PSI GIRLS
Hiller said to Tillman, “Psi Girls deals with this sort of obsession with special powers of some human beings, in this case, of girls—now that’s a social fact.”4 Once a...
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Beyond Social Fact in Susan Hiller's PSI GIRLS
From The Kunsthalle Nürnberg’s catalogue in 2012, Susan Hiller: From Here to Eternity: The near-critical mass of examples of such scenes from genre films . . . proves that...
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Beyond Social Fact in Susan Hiller's PSI GIRLS
In the period between visiting the exhibition and writing this text—a fairly truncated timeline—I encountered two very recent examples of mainstream popular culture that seem to depart from this...