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• Alana Conway

  *Alana Conway* is an independent researcher residing in Calgary, Alberta. She completed a Masters of Anthropology at Carleton University in 2011, with a thesis focusing on Roma Refugee Claimants...

• Editor's Note

  I was recently left dead inside by “Longform Journalism in the Digital Age,” a panel discussion held at the Banff Centre a few weeks ago boasting the Online...

• Our Lexicon of Dark Corners to Light Up is Always Expanding

  LUMA: The details of the individual collective members aren’t currently available on your website. Can you speak to your decision to present Iris as a discrete entity (at least...

• Turtles All The Way Down

  The main actors in Stephen’s narrative are the wasp and orchid. They fuse together, the Milky Way and Andromeda galaxies collide, and so art gives form and shape...

• A Failed Poet

  But for all (or perhaps because of) its genius, Frampton’s work could be hard to sit through, especially in a public theatre setting. Somewhat like how the best...

• Our Lexicon of Dark Corners to Light Up is Always Expanding

  IRIS: Celluloid does carry a certain element of community in that it is a way of gathering a group of people together to experience something collectively—the analog aspect...

• Stephen Nachtigall

  *Stephen Nachtigall* is a visual artist from Calgary, Canada, and active member of EMMEDIA Gallery and Production Society. He enjoys mountain vistas and wide open skies. Stephen has exhibited...

• Reclaiming the North

  And yet, some seventy-five to ninety percent of all Canadians live within one hundred miles of the American border, and even fewer have ventured to the northernmost regions. In...

• Double Visions: Stephen Broomer & Kyle Whitehead in Dialogue

  The Latent Collisions, initiated by Stephen Broomer, is a series of 16 mm films, 35 mm slides, and photographic prints produced by chance superimpositions, made either in collaboration with...

• A Revolution (Briefly) Embodied

  For many in the Canadian South, there is Atanarjuat and then there is everything that came before: a pliable history whose key players are Robert Flaherty, the National Film Board and local broadcasting societies....