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Listening to Wetland Project on Earth Day 2020: “It’s always the right sound at the right time”
In a thoughtful move by Timmings and Marks, the Wetland livestream page also hosts the project’s Twitter feed, allowing a network of active listeners to share comments in real-time....
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Alone Together, Fast and Slow: Browsing through the films of Greetings from Isolation
Yet these films of solitude do not always simply invoke feelings of existential gloom. Winnipeg-based Milos Mitrovic’s Wasting Time at the End of the World (2020) is a wonderful...
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Inside “Western” Filmmaking: An interview with Katie Wackett of CSIF
As mostly a demographic term, “Western” also carries with it the connotation of access within Canada’s publicly funded system. In particular, regional centres of Western filmmaking have traditionally been...
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Inside “Western” Filmmaking: An interview with Katie Wackett of CSIF
KW: On a provincial level, the people in charge of our provincial funding are focused on bringing in productions that just want to shoot here…for the landscape. AKA service...
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Demons and Demonization: Filming the Anti-Dungeons & Dragons Hysteria
Today it is striking how non-hysterical Mazes and Monsters is. Its TV movie glossiness makes it appear neutered and anodyne. Its score is especially saccharine. The other gamers are...
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Savanna Harvey
*Savanna Harvey* is a multidisciplinary creator. She is an organizer of secret midnight meetings, an instigator of resistance, and a recruiter of accomplices. As a creator-performer, she has toured...
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Requiem for a Glacier: Mourning Climate Change
To draw attention to this issue, Victoria BC composer and artist Paul Walde created Requiem for a Glacier, a forty-minute video installation and sound performance currently on view at the Montreal Museum of Fine Arts. Filmed on July 27, 2013, the...
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Requiem for a Glacier: Mourning Climate Change
One of the first images in the video installation is of the chorus, shot from behind, being led by conductor Ajtony Csaba, music professor and symphony orchestra director at the University of Victoria. Everyone dressed in black to...
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Materiality, Interaction, and the Other: Colton Hash & Freya Olafson
In the 2017 video installation Painting with the Man, Olafson questions the instrumentalization of women’s bodies in Yves Klein’s 1962 Anthropométries series where he covered women in his patented blue paint and made prints of...
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Behind the Screen: Lessons from Making IN PLAINVIEW
Watterworth chimed in adding that visually it’s akin to Hell or High Water[https://www.imdb.com/title/tt2582782/?ref_=fn_al_tt_1], a slow-burn story of two brothers who turn to bank robbing when they can’t pay the mortgage...