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• Behind the Screen: Lessons from Making IN PLAINVIEW

  But for filmmakers applying to the Talent to Watch program, there are a few deliverables you’ll need to keep in mind including a rough cut of the film,...

• Behind the Screen: Lessons from Making IN PLAINVIEW

  *TH: No one denies that having more money can help you make a better film. But having a smaller budget shouldn’t limit you to making a lower-quality film....

• Behind the Screen: Lessons from Making IN PLAINVIEW

  *TH: Whether you’re on your first film or your last, filmmaking is a learning process. There’s always something you wish you knew, something you could have done better.  What...

• PRAYER FOR A LOST MITTEN: An Interview with Jean-Francois Lesage

  *GC: Can you explain a bit more about starting a documentary from a feeling rather than a subject matter?* JL: I really tried to build an atmosphere, so...

• The Art Experience vs The Art Object: Performing Arts in the Digital Realm

  I am an interdisciplinary performing arts creator and producer working out of Treaty 6 Amiskwaciywâskahikan-Edmonton and Treaty 7 Mohkínstsis-Calgary. When the first wave of COVID-19 hit our cities in 2020,...

• The Art Experience vs The Art Object: Performing Arts in the Digital Realm

  A year and a half into the pandemic, and while we may have gotten technically better (audio mixing/switching blunders are less common, for example), we still haven’t entirely figured...

• The Art Experience vs The Art Object: Performing Arts in the Digital Realm

  The performing arts are live. Dance-on-film has a rich history and animated objects are as often spotted on the screen (stop-motion, muppets, etc.) as on the stage, but...

• The Art Experience vs The Art Object: Performing Arts in the Digital Realm

  To achieve liveness, at some point, you must be live. You cannot replicate that moment of the shredded canvas, and pre-recorded content can be perfectly copied again and...

• The Art Experience vs The Art Object: Performing Arts in the Digital Realm

  For people like me trying to turn robotic, audience-controlled fish into our scene partners – it’s a good reminder that we don’t have to go it alone all...

• Sue-Shane Tsomondo

  *Sue-Shane Tsomondo* is an artist, arts administrator, and occasional writer based in Mohkinstsis (also known as Calgary). Born and raised in Zimbabwe, she is interested in the stories that...