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• Concrete constructs of linearity

  A repression exists in not accepting values and systems of knowledge held by cultures outside of the majority, due to the basic principles of hierarchy. This repression of responsible...

• Concrete constructs of linearity

  On the morning following the performance, Kite and I sat together and shared familial anecdotes as a way of circumnavigating the work. We shared our childhood fantasies and mysticisms,...

• Punning Photography’s Legacy: His dreadful glance

  This is less an exhibition of photographs than an exploration of the scopic imperatives that underlay the history and practice of photography. While all representational art relies on mimesis,...

• On Collectives, Projects, Film Itself, and a Sausage Factory

  *KEVIN RICE: Based on your experience with Double Negative[http://doublenegativecollective.blogspot.ca/], what do you think is the most critical function that a film collective serves, both for the individual filmmaker as...

• On Collectives, Projects, Film Itself, and a Sausage Factory

  *LM: With Process Reversal you’ve done a lot of touring, traveling, knowledge-sharing, and engagement, which is really quite different than the activities of Double Negative—would you say that those...

• On Collectives, Projects, Film Itself, and a Sausage Factory

  *KR: And, of course, there is no singular answer to the problem of inclusion in our community, but what would you say is the best step that organizations—including film collectives...

• Human Rights and Film at 150

  *AC: The CMHR is located in Winnipeg and as a national museum celebrates stories from across Canada and around the globe. How have you enabled people to engage...

• The Language of Trees

         The Heritage Tree                         I think the tree is an element of regeneration which in itself is a concept of time. Trees have always been a form of sculpture,...

• Stephen Broomer

  *Stephen Broomer* is a filmmaker and film preservationist based in Toronto. He holds a BFA in Film and Video Production, an MA in Film Studies, and a PhD in Communication...

• Performing objects, readymade bodies

  Another example of dance documented on film, Walkaround Time was filmed on 16 mm in two parts over a span of four years, and in two locations: 1969...