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Don’t just sit, don’t just stop
*LUMA: Yeah, I wanted to ask about that glitching. That sort of VHS-ization. I guess that's a new word…* [Laughter] AWB: Well Sabrina came to me, actually on Instagram,...
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Creating a Baseline
*TS: You’ve never done something on this scale before. What has it been like making these kind of decisions? And how are you figuring out what you need...
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Sarah Todd
*Sarah Todd* is a curator currently living and working in Calgary, where she is an art curator and public programmer at the Glenbow Museum. She has previously worked...
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Editor's Note: Re-Ornamentation
Kapwani Kiwanga, in her 2-channel sound installation 500 ft at Esker Foundation—part of her exhibition A wall is just a wall (and nothing more at all)—gives a 12-minute oral history of institutional...
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Keep it loose: a short history of the Artifact Small Format Film Festival
The first $100FF took place in 1992 in the basement theatre of a church at 1703 1st NW—which was also the CSIF headquarters. An intimate overcapacity audience took...
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Keep it loose: a short history of the Artifact Small Format Film Festival
Pepper moved on to the second person that was essential to the development of the festival: Rick Doe. Doe moved to Calgary from Vancouver in 1975, and worked...
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Keep it loose: a short history of the Artifact Small Format Film Festival
The third person Pepper mentioned was Stephen Hanon, one of the board members that welcomed Morison’s original $100FF pitch. Hanon was a film enthusiast, and the soon-to-be editor of...
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The Channelers
Like the social imaginary of democracy as a form of participatory politics, networked media is believed to be a platform for free expression, a flagship for equal participation. At...
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The Channelers
Since the explosion of net art and hacker culture in the 1990s, some have celebrated Internet’s capacity for collective action, where others have criticized the increased speed of information,...
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Wiretapping Pakula's KLUTE
Oblivious to the male voice talking about her, Bree Daniels (Jane Fonda) continues to dial on the rotary phone. The male voiceover, positioned over a contemplative and anonymous gaze...