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In Eulogy for the Dead Sea, Polina’s lens follows the falling of the sun and the rolling saline lake from the sky. Text across the bottom of the...

Between voice-overs, a soundtrack of solemn string instruments creates tension, a tightening, until eventual silence; an exhale. Polina uses the camera’s perspective to move us through a broken landscape—dry,...

After a three-year long project like Eulogy, the playfulness and camaraderie of Wreck City allowed Polina to explore the documentary format with a lighter hand and a shorter...

Although there are some thematic similarities,—abandoned buildings, places in transition—the energy of the two projects couldn’t be further from one another. Where Eulogy documents the desolate stillness and deterioration...

Among the eccentric programming, artist collective WYRDOS dressed as Charlie Chaplin, performing silent comedy acts through the glass of a vacant radio recording booth inside one of the exhibition’s...

*Carlin Brown* is a Canadian arts writer based in Portland, Oregon. 

*Suzette Chan* is an Edmonton-based journalist who has written about the visual arts, the performing arts, and the literary arts. She is a member of the editorial collective of...