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- Fig. 1
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Black box, white cube, and something in the middle
The jewel of the film series was Sergei Parajanov’s resplendent The Color of Pomegranates (1969), selected and introduced by Atom Egoyan. Through a sequence of episodic tableaux, Parajanov composes...
- Fig. 2
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Black box, white cube, and something in the middle
In contrast to the isolating condition of the white cube, Egoyan took Auroras further in a modification of the installation outside Berlin’s Maxim Gorki Theater in 2015. Here, double-sided...
- Fig. 3
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Black box, white cube, and something in the middle
Steenbeckett lingers on the concluding ninth shot of Krapp’s Last Tape, a single takesome twenty minutes long. Offering viewers a close encounter normally contained within film production, the scene’s...
- Fig. 4
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Black box, white cube, and something in the middle
But Steenbeckett works both with and beyond nostalgia, as Dr. Fowler and Dr. David Pike (Chair of the Department of Literature at American University, Washington, DC) argued. Set up...
- Last of the Nepinaks
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thirstDays No.08: SO WIDE SO LOW SO HIGH
The first piece to be introduced is the short film, The Last of the Nepinaks (2005) by Skownan First Nation artist Darryl Nepinak. The film follows a toddler...
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