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  • Creating a Baseline

    *TS: Was it hard to get rid of things because of the autobiographical aspect of the script?* GM: It’s a balance. The story is informed by personal experience, but...

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  • Creating a Baseline

    *TS: You’ve never done something on this scale before. What has it been like making these kind of decisions? And how are you figuring out what you need...

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  • Creating a Baseline

    *TS: What has surprised you about this process so far?* GM: Finding that people believe in my project and that people want to help me. I think there’s...

  • Crossing Borders

    Nogales: the name of a town in Arizona or a town in Mexico’s Sonora state, or further still, the name of the border crossing between the two. The...

  • Crossing Borders

    More fences flash by six years later—this time at Esker Foundation in Calgary, Alberta. Fences of different patterns, designs, and materials change and morph throughout Postcommodity’s four-channel projection, A...

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  • Crossing Borders

    The fence, the focus of A Very Long Line, is the symbol of constructed nationalism and a tool to shift transborder discourse. In an earlier related project discussing...

  • Crossing Borders

    The fences in A Very Long Line run in horizontal lines, then in tightly staggered vertical lines; most ominous are the heavy metal forms crossed to create forbidding...