Who Gets to Tell The Story?
Addressing the predicament of historical reinterpretation through a comparison of films on the 1919 Winnipeg General Strike.
Artifact Small Format Film Festival’s experimental films about the forces of nature are put under the microscope.
Intimate musings on the complexity of performing queer bodies in a comparison of LOVE ME LIKE THERE’S NO TOMORROW and William E. Jones’s TEAROOM.
An examination of how Flamenco is reinterpreted, synthesized and personalized by the various dancers in Rosanna Terracciano’s installation A QUIET FLAMENCO.
Isaac Ezban discusses the lures of the science fiction genre and the joys and challenges of directing his recent film PARALLEL.
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