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In Betweens

BY Lindsay Sorell

Two Bodies

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Slay, Okay

BY Nancy Webb

Tanya Lukin Linklater's SLAY ALL DAY: bodies onscreen—from NANOOK OF THE NORTH to LEMONADE

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An object is a slow event.

BY Nicola Waugh

Experimental filmmaker Manuela De Laborde—thinking of the frame and the blackness. 

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Every Movie is a Ghost Story: an interview with Gemma Files

BY Murray Leeder

Award-winning author of EXPERIMENTAL FILM on appearances of Soraya Mousch, the silent era of female filmmakers, and ekstasis: “to be or stand outside oneself, a removal to elsewhere.”

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Black box, white cube, and something in the middle

BY Alex King

Armenian film, Atom Egoyan, and celluloid's role in discussing migration, memory and trauma at Regina's MacKenzie Art Gallery.

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thirstDays No.08: SO WIDE SO LOW SO HIGH

BY Lauren Lavery

What can art do to fulfill a mandate of hope and agency: ceremony, film, and karaoke.

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