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• Warp/Weft/Wept

  A three-part digital drapery study, Jasmin’s review of the word felt—as in haptic and emotive, tactile and affective—echoes triptych tradition. With what seem to be details of hair, oil...

• Özgün Eylül İşcen

  Özgün Eylül İşcen is a 3rd year PhD student in Computational Media, Arts and Cultures at Duke University. Her interest in new media theory and practice is situated...

• Neil Surkan

  Neil Surkan’s debut poetry collection, On High, is forthcoming from McGill-Queen’s University Press (Fall, 2018). His chapbook, Super, Natural, was published by Anstruther Press (March, 2017). His most recent poems have appeared or are forthcoming in The Fiddlehead, EVENT, and CAROUSEL, among others. He lives in...

• Our Lexicon of Dark Corners to Light Up is Always Expanding

  LUMA: The details of the individual collective members aren’t currently available on your website. Can you speak to your decision to present Iris as a discrete entity (at least...

• Turtles All The Way Down

  The main actors in Stephen’s narrative are the wasp and orchid. They fuse together, the Milky Way and Andromeda galaxies collide, and so art gives form and shape...

• A Failed Poet

  But for all (or perhaps because of) its genius, Frampton’s work could be hard to sit through, especially in a public theatre setting. Somewhat like how the best...

• Our Lexicon of Dark Corners to Light Up is Always Expanding

  IRIS: Celluloid does carry a certain element of community in that it is a way of gathering a group of people together to experience something collectively—the analog aspect...

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  Subscribe to our mailing list Subscribers of the Luma Film & Media Art Quarterly mailing list will be notified when each new issue of Luma is released and will...

• Fay Stevens

  *Fay Stevens* is an academic, curator, artist and writer. Her archaeological work, performance and art practice is a process of excavation; an unravelling of layers of time, memory and substance....