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• Homo-Sighting: Consent & Refusal of Queer Performance in Ryan Danny Owen's LOVE ME LIKE THERE'S NO TOMORROW

  Jones has exhibited the unedited, soundless footage at numerous exhibitions across the world, including the 2008 Whitney Biennial. Rather than editing the footage, the impact of Jones’s showing the...

• THE QUEEN OF MY DREAMS: An Interview with Fawzia Mirza

  *KH:* The casting of Amrit Kaur from the TV series Sex Lives of College Girls as Azra, the protagonist, was perfect. How did she become involved?  *FW:* We worked...

• A Powerful Audience

  ML: So first of all I think us as women should support these types of festivals, like genre festivals, and fuck what everyone else thinks. If they think...

• Blue Corridors: VOICES - Laura Anzola

  Humpback whales can weigh up to 40 metric tons. Their heavy bodies travel immense distances through migratory highways called blue corridors. One whale was recorded traveling 18,942 kilometres over...

• Kate Barry

  *Kate Barry* has performed and exhibited in galleries and festivals throughout Canada and internationally, including the National Gallery of Canada, Vancouver Art Gallery, Open Space (Victoria), 7a*11d Festival of Performance Art (Toronto),...

• A Powerful Audience

  *Paige Boudreau: I always feel so conflicted when people ask me "the feminism question" because it always feels so clunky—you know—‘How do you feel about us having female film...

• Fostering Women and Filmmaking: 30 Years of Herland

  For Vanessa Wenzel, being selected for the 2019 workshop marked a milestone in itself.  She remembers, “It was the first thing I got, the [creative] world accepting me....

• Editor's Note

  I was recently left dead inside by “Longform Journalism in the Digital Age,” a panel discussion held at the Banff Centre a few weeks ago boasting the Online...

• Uncertain Frontiers: Female Identity and Rural Spaces

  The landscapes in Ice Blue run cool, with brown, blue, and light yellow tones, and when there is blood on screen, it’s a small trickle on the skin....

• First Nations Involvement in Alberta’s Film Industry

  When Graham asked if anyone recognized the clothing, face paint, horses, or patterns on the teepees in Little Big Man, the elders agreed that these costumes and props...