Search Results
You searched for "nga ye tha pait dthar"
-
Navigating History, Memory, and Mythology: The Challenges of Depicting the 1919 Winnipeg General Strike
The inclusion of Emma’s character represents a trend in films about the Winnipeg General Strike towards representing marginalized communities who weren’t part of the original strike narrative. “Absences in...
-
Navigating History, Memory, and Mythology: The Challenges of Depicting the 1919 Winnipeg General Strike
1919 was the first film made by Gonick, who says he’s always had an interest in the strike, in part because his father was the prominent labour historian,...
-
Navigating History, Memory, and Mythology: The Challenges of Depicting the 1919 Winnipeg General Strike
The idea of creating a film about the strike as seen through the windows of a steam bath came to Gonick after seeing an exhibit for its 75th...
-
Homo-Sighting: Consent & Refusal of Queer Performance in Ryan Danny Owen's LOVE ME LIKE THERE'S NO TOMORROW
For years, Ryan and I had been on the peripheral of one another’s social and professional lives (we both attended the Alberta College of Art and Design and...
-
Homo-Sighting: Consent & Refusal of Queer Performance in Ryan Danny Owen's LOVE ME LIKE THERE'S NO TOMORROW
Two months later Ryan’s Nike-checked sneakers squeaked on Calgary’s Theatre Junction GRAND’s black-painted floor as they slid, twirled, and shimmied within a round pool of rosy spotlight in their...
-
Homo-Sighting: Consent & Refusal of Queer Performance in Ryan Danny Owen's LOVE ME LIKE THERE'S NO TOMORROW
Ryan performed Love Me Like There’s No Tomorrow for the M:ST (Mountain Standard Time) Performative Art Festival, a biennial event that coordinates collaborations between numerous art and performance organizations...
-
Homo-Sighting: Consent & Refusal of Queer Performance in Ryan Danny Owen's LOVE ME LIKE THERE'S NO TOMORROW
Los-Angeles based artist and film director William E. Jones used this 1962 Mansfield footage for his video works Mansfield (2006) and Tearoom (2007). Jones created Mansfield after finding a...
-
The Sounds and Sights of Dance: Rosanna Terracciano's A QUIET FLAMENCO
a quiet flamenco offers the audience an opportunity to reacquaint themselves with flamenco by presenting a different relationship between sound and dance. While flamenco is traditionally a cacophonous dance,...
-
Fostering Women and Filmmaking: 30 Years of Herland
Herland is an organization that seeks to bring films by and about women to a larger audience. Originally a festival, Herland is now focused on advancing women's careers...
-
Machine Language Protocol: Jeremy Shaw’s QUANTIFICATION TRILOGY
The three short films in Vancouver-born, Berlin-based director Shaw’s Quantification Trilogy, Quickeners (2014), Liminals (2017), and I Can See Forever (2018), look like documentaries dating from the near to...