BY Lindsay Sorell
BY Nancy Webb
Tanya Lukin Linklater's SLAY ALL DAY: bodies onscreen—from NANOOK OF THE NORTH to LEMONADE
BY Nicola Waugh
Experimental filmmaker Manuela De Laborde—thinking of the frame and the blackness.
BY Murray Leeder
Award-winning author of EXPERIMENTAL FILM on appearances of Soraya Mousch, the silent era of female filmmakers, and ekstasis: “to be or stand outside oneself, a removal to elsewhere.”
BY Alex King
Armenian film, Atom Egoyan, and celluloid's role in discussing migration, memory and trauma at Regina's MacKenzie Art Gallery.
BY Lauren Lavery
What can art do to fulfill a mandate of hope and agency:
ceremony, film, and karaoke.
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