Beverley Rockett

Is it finished.

BY Lindsay Sorell

The Dimensions of Presence

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Concrete constructs of linearity

BY Nicole Kelly Westman

Suzanne Kite's EVERYTHING I SAY IS TRUE at the Walter Phillips Gallery: spacetime, shapeshifting, and recognizing responsible truths.

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Punning Photography’s Legacy: His dreadful glance

BY Bruce Hugh Russell

A review of Colin Miner’s recent exhibition at Neutral Ground Artist-Run Centre in Regina: subverting the signifiers of ‘high art,’ considering, living, and discovering with slowness.

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On Collectives, Projects, Film Itself, and a Sausage Factory

BY Lindsay McIntyre & Kevin Rice

Hosting screenings and making film without funding, support, or equipment: writing a guide for saving a dying medium on a dime.

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Human Rights and Film at 150

BY Alana Conway

Julia Peristerakis, curator for the Canadian Museum for Human Rights, discusses Canada’s sesquicentennial, our human rights record, and film as a medium for empathic discovery.

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The Language of Trees

BY Luba Diduch & Fay Stevens

Two artists spend time recording, circling, and interpreting two trees on two continents in preparation for their upcoming residencies.


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