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• About

  Mandate Luma is a quarterly online publication about independent film and media art published by the Calgary Society of Independent Filmmakers and EMMEDIA Gallery & Production Society. Luma includes critical...

• Double Visions: Stephen Broomer & Kyle Whitehead in Dialogue

  SB: Your description makes me think of the notion of spooky action: action at a distance, the notion in physics that—if I may abuse it and bend it...

• Double Visions: Stephen Broomer & Kyle Whitehead in Dialogue

  SB: Well, when I say singularity here, I don’t mean that the two actions join into a singular perspective, which is nowhere near my intention. Rather I mean...

• Editor's Note

  "We were taught art history wrong." Allison Leigh[http://sirensongallery.academia.edu/AllisonLeigh/Talks], Postdoctoral Fellow at Cooper Union, stood up in a room full of the world’s most influential Media Art Historians and ethicists—a room built...

• Handmade Portraits

  This is Lindsay McIntyre’s response to the “death” of the medium in the digital age. Hailing from Edmonton, McIntyre has been selected as the Visiting Artist for the 24th...

• Women Extracting Ghosts: Mining Place and Time in Nicole Kelly Westman’s ROSE, DEAR

  Temporality and the making visible of time are notions of particular relevance to the Super 8 film system, Nicole’s primary method for documenting our time spent in Wayne. Super...

• Nicola Waugh

  *Nicola Waugh* is an independent film programmer and communications professional based in Calgary. She holds a Master’s degree from York University and Ryerson University’s joint Communication and Culture program,...

• Of Love and Politics: Kiju Yoshida’s Love + Anarchy

  Kiju Yoshida was born in 1933 and, alongside fellow filmmakers Nagisa Oshima, Seijun Suzuki[mailto:https://www.criterion.com/explore/86-seijun-suzuki] and Masahiro Shinoda, was one of the key figures in Japan’s ’60s Nouvelle Vague, making films that, like their French counterparts,...

• First Nations Involvement in Alberta’s Film Industry

  Despite the Stoney Nakoda’s visible contribution to Alberta’s film history, there has been little documentation of their involvement with the creation of these media texts, a societal failure that...

• Culture & Capital: “Real failure needs no excuse” at the Esker Foundation

  A REAL JOB  A major reason that Ibghy and Lemmens have chosen to focus so intently on non-productivity in their studio practice is to disrupt the enormous external and...