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• The Spectacle of Power: Ken Russell's THE DEVILS (1971)

  Another earlier scene, Jeanne of the Angels is tortured publicly in the name of cleansing her spirit, and a crowd wearing black masks watches. This masked audience echoes...

• The Texture of the Gesture: Exploring Apostasy and Ancestry in Jeremy Moss' THESE WAYS I TRANSGRESS

  Although Moss has disavowed his religious heritage, he has not been able to deny the strong sense of kinship and pride he holds for his family and his...

• Keep it loose: a short history of the Artifact Small Format Film Festival

  Now in its 26th year, and in the same shape-shifting adventurous spirit, $100FF has donned a new but familiar name: Artifact Small Format Film Festival. It is a...

• Kristen Hutchinson

  *Kristen Hutchinson* (they/she) is a queer and gender-fluid visual artist, cultural critic, curator, writer, editor, and adjunct professor of art history, feminism, media studies, and popular culture. They received...

• The Sounds and Sights of Dance: Rosanna Terracciano's A QUIET FLAMENCO

  Despite its title, this series of films is anything but quiet. Terracciano’s use of the adverb speaks more to her approach of capturing how each artist dances. She...

• Kate Barry

  *Kate Barry* has performed and exhibited in galleries and festivals throughout Canada and internationally, including the National Gallery of Canada, Vancouver Art Gallery, Open Space (Victoria), 7a*11d Festival of Performance Art (Toronto),...

• Listening to Wetland Project on Earth Day 2020: “It’s always the right sound at the right time”

  The piece was presented as an immersive five-channel installation—a screen for each of the microphones on the log used for recording—at VIVO Media Arts Centre in Vancouver during Earth...

• Creation, Loss, and Rediscovery: On Sandi Tan’s SHIRKERS

  As the documentary unfolds, duplicity and doubling emerge: duplicity enacted by Cardona and doubling by Tan. When the film canisters finally do appear decades after their loss, Tan is...

• Less Grey

  *TS: Has this post-production process changed how you will direct in the future? * GM: Everything about Circle of Steel has changed how I will direct in the future! I...

• Creation, Loss, and Rediscovery: On Sandi Tan’s SHIRKERS

  These are snippets from Shirkers, the first feature made by Singaporean filmmaker Sandi Tan in the early 90s when she was nineteen. There is no sound in the...