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  • St. Martins, New Brunswick

    Dear Leonard, I saw an albatross at the Royal Ontario Mus eum. Not a real one, silly. In the bird gallery. There’s a glass cage like nothing you’ll ever...

  • St. Martins, New Brunswick

    I can’t even get the damned letters right. I left my laptop at home because I thought a typewriter romantic—perfumed stationary and click-clack floating out the window. Looney purring...

  • St. Martins, New Brunswick

    Dear Leo, Looney won’t eat and no one talks to me. Nothing ever happens here. I’m like a painted ship upon a painted ocean (I didn’t make up that...

  • Performing objects, readymade bodies

    Video, photography, sculpture, and painting share a common space and duration in Liddington’s exhibition; autonomous objects from different disciplines have the opportunity to exchange meaning. In this, Merce Cunningham’s...

  • St. Martins, New Brunswick

    I’m digging into half a grapefruit when Looney darts from under the bed and arcs onto the windowsill. It’s open, not to the sea but to an alley...

  • St. Martins, New Brunswick

    Hi L, The water is covered with algae so I won’t swim in it. The tourists are dwindling. That bird survived. I’ve named the bird Lou, she’s a...

  • St. Martins, New Brunswick

    My bralette is salted with sweat stains. I tuck the letter in its lace and stretch an elastic band around the shoebox. Lou is cheep-cheeping, so she must...

  • Performing objects, readymade bodies

    Another example of dance documented on film, Walkaround Time was filmed on 16 mm in two parts over a span of four years, and in two locations: 1969...

  • Don’t just sit, don’t just stop

    Bonum [bo-NOOM], meaning “do for good anyways,” is a series of dream sequences between four dancers, choreographed and directed by Sabrina Naz Comanescu, and filmed and edited by Aran...

  • Don’t just sit, don’t just stop

    *LUMA: How did the idea behind Bonum develop?* Sabrina Naz Comanescu: I guess the story's pretty personal to me. I was in a moment in my life where I...

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