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• Edmonton Sound Expands

  “We release things on tape.”²⁸That’s Parker Thiessen’s pithy description of Pseudo Laboratories. Thiessen co-founded the label with Ian Rowley, his collaborator in the ambient music project Private Investigators. Since their...

• What’s Found & What’s Wrought: On Abbas Kiarostami’s CLOSE-UP

  Kiarostami blurs the traditional line between documentary and fiction to tell and re-tell the story in Close-Up. The people involved all play themselves in the re-enacted scenes from the...

• What’s Found & What’s Wrought: On Abbas Kiarostami’s CLOSE-UP

  Close-Up brings tensions between classes into the foreground, exploring the differences of wealth and the way that people personally separate from each other as a result. The working class...

• Such partnerships, too: Eveline Kolijn’s THE OCEAN INSIDE

  Kolijn’s installation relies on the integration of science technologies and art-making as a way to engage and educate viewers on important conversations about climate change and the effects of...

• Chelsea Yang-Smith

  *Chelsea Yang-Smith* is a visual artist currently based in Calgary, Alberta. Using digital and analogue photography, she merges emotional intimacy with process through monumental banners depicting the Albertan landscape...

• That Battle is Over, Girl: Alice Schoenberg

  The perceived achievement of equality is an insidious form of repression itself. It manifests in the statement, “Well I sure don’t feel oppressed”. In creating a lack of challenging...

• That Battle is Over, Girl: Alice Schoenberg

  Swaying drums link up to organs and synths that create an expanding field for Hval’s sharp-witted lyrics. She moves between deep murmurs to high crests, polysyllabic runs to drawn...

• That Battle is Over, Girl: Alice Schoenberg

  The superwoman, now resting easily on the top of the ladder, forgets her climb. Now, she ponders how the ladder arrived under her. “I must say, I’m not...

• Matthew Rankin Asks “Who Owns The Twentieth Century”?

  The film is a beautiful mixture of history, satire, dedication, and deep questioning. Rankin has been absorbed in all of the aesthetic power of Winnipeg, and taken it...

• Matthew Rankin Asks “Who Owns The Twentieth Century”?

  *GC: The heart is on the sleeve in Québec. * MR: Denis Coté, Stéphane Lafleur and Robert Morin, those are great Québécois ironists. I think for the most part, everyone...