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Totally By Yourself In This Vast Emptiness: Ted Kotcheff on "Wake in Fright"
TS: So the hyper-masculinity was a result of industry? TK: Maybe it sounds like a pathology. It’s not. There was nothing else to do. TS: Do you feel colonization played...
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Totally By Yourself In This Vast Emptiness: Ted Kotcheff on "Wake in Fright"
In D.H. Lawrence’s novel Kangaroo he describes it perfectly. He says you’re totally by yourself in this vast emptiness and you think the landscape is watching you. And that...
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Totally By Yourself In This Vast Emptiness: Ted Kotcheff on "Wake in Fright"
TS: It feels very authentic. TK: I did have Jack Thompson who was a terrific actor and became a minor star. He worked in Hollywood and was in...
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Totally By Yourself In This Vast Emptiness: Ted Kotcheff on "Wake in Fright"
TS: Wake in Fright has been described as a horror film or a sort of horror-western. Was your approach to make it as a genre film? TK: No, I...
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Re-presentations, Adaptations, and VARIATIONS
Canadian artist Michael Snow once described his own experiments with moving images as an attempt “to make a definitive statement of pure Film space and time, a balancing of...
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Re-presentations, Adaptations, and VARIATIONS
Although it is actually quite boring and reductive to do so, we still tend to cling to the idea of an artwork as a unique, singular, and exclusive...
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Re-presentations, Adaptations, and VARIATIONS
Furthermore, the individual works also contain references to the lives and practices of their makers. The remainder of Belzile and Craig’s Untitled, for example, feels like a narrative depiction of...
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Who Can Save the Brides of Billy?: Horror and Gender in "Black Christmas" and "The Bloody Chamber"
The killer is in the house. It's a classic trope that's been around since baby sitters started babysitting, since the earliest days of horror films. The underrated classic, Black...
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Who Can Save the Brides of Billy?: Horror and Gender in "Black Christmas" and "The Bloody Chamber"
The telephone—a device that reinforces the theme of seeing/not-seeing—is the focus of some of the most terrifying scenes in Black Christmas, turning the killer into a bodiless, transcendent voice,...
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Slay, Okay
It is with the much-discussed visual album’s disorienting ambition to simultaneously “challenge the ongoing present day devaluation and dehumanization of the black female body” and “to seduce, celebrate, and...