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• St. Martins, New Brunswick

  The trails leading to the caves are overrun with calf-like children and their heifer mothers. In defiance, I discover untraveled, rocky ledges, grab branches for support—nettles catching, but not...

• St. Martins, New Brunswick

  My boots draw pools of water that suck themselves flat. Folded on rose-bordered stationary, a letter sticks under the band of my bralette (that’s what the saleswoman called it)....

• St. Martins, New Brunswick

  Dear Leonard, I saw an albatross at the Royal Ontario Mus eum. Not a real one, silly. In the bird gallery. There’s a glass cage like nothing you’ll ever...

• St. Martins, New Brunswick

  I can’t even get the damned letters right. I left my laptop at home because I thought a typewriter romantic—perfumed stationary and click-clack floating out the window. Looney purring...

• St. Martins, New Brunswick

  Dear Leo, Looney won’t eat and no one talks to me. Nothing ever happens here. I’m like a painted ship upon a painted ocean (I didn’t make up that...

• Performing objects, readymade bodies

  Video, photography, sculpture, and painting share a common space and duration in Liddington’s exhibition; autonomous objects from different disciplines have the opportunity to exchange meaning. In this, Merce Cunningham’s...

• St. Martins, New Brunswick

  I’m digging into half a grapefruit when Looney darts from under the bed and arcs onto the windowsill. It’s open, not to the sea but to an alley...

• St. Martins, New Brunswick

  Hi L, The water is covered with algae so I won’t swim in it. The tourists are dwindling. That bird survived. I’ve named the bird Lou, she’s a...

• St. Martins, New Brunswick

  My bralette is salted with sweat stains. I tuck the letter in its lace and stretch an elastic band around the shoebox. Lou is cheep-cheeping, so she must...

• Performing objects, readymade bodies

  Another example of dance documented on film, Walkaround Time was filmed on 16 mm in two parts over a span of four years, and in two locations: 1969...