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  • Editor's Note

    As noted in the Tate Museum description of the work: “In the House of My Father  was made for the 1997 exhibition ‘9 Nights in Eldorado’at South London Gallery which Rodney dedicated to his father...

  • Savanna Harvey

    *Savanna Harvey* is a multidisciplinary creator. She is an organizer of secret midnight meetings, an instigator of resistance, and a recruiter of accomplices. As a creator-performer, she has toured...

  • Requiem for a Glacier: Mourning Climate Change

    The text sung by the solo vocalist and chorus during the first two movements of the requiem are based on a Latin translation of a 2012 BC government press release that approved the construction of the year-round Jumbo Glacier Resort for skiing.5The last two...

  • Requiem for a Glacier: Mourning Climate Change

    One of the first images in the video installation is of the chorus, shot from behind, being led by conductor Ajtony Csaba, music professor and symphony orchestra director at the University of Victoria. Everyone dressed in black to...

  • Requiem for a Glacier: Mourning Climate Change

    The installation of Requiem for a Glacier at the Montreal Museum of Fine Arts is particularly effective. The twenty-two-foot-long screen takes up the entire wall of the gallery, reflecting the monumentality of the site. As...

  • Requiem for a Glacier: Mourning Climate Change

    Another strength of the piece is the use of close-ups of the terrain of the glacier, many of which focus of the large rivulets of water flowing downward. In a number of shots, the...

  • Editor's Note

    These questions seem particularly poignant as we enter our second Fall season of the pandemic. With almost 27,000 deaths in Canada from the disease and a fourth wave...

  • Materiality, Interaction, and the Other: Colton Hash & Freya Olafson

    Hash’s Acoustic Turbulence (2019) also mixes the physical and digital by using the Unity WebGL platform to allow viewers to interact with hydrophone data from Ocean Networks Canada.1Although the interactions are less complex...

  • Materiality, Interaction, and the Other: Colton Hash & Freya Olafson

    In Disembodied Beings (2019), Olafson contemplates the relationship between the  corporeal and digital body by mirroring a video of a physical person with the movements of the avatar, overlaid with an audio description of...

  • Materiality, Interaction, and the Other: Colton Hash & Freya Olafson

    In the 2017 video installation Painting with the Man, Olafson questions the instrumentalization of women’s bodies in Yves Klein’s 1962 Anthropométries series where he covered women in his patented blue paint and made prints of...

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