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• Editor's Note

  I was recently left dead inside by “Longform Journalism in the Digital Age,” a panel discussion held at the Banff Centre a few weeks ago boasting the Online...

• Ektoplasm-o-vision! with Guy Maddin

  Over the last five years, Maddin has obsessed over remaking lost and unrealized films from cinema’s early decades, a period from which only a small fraction of films...

• A Failed Poet

  He was, by all accounts, an astounding polymath of a man. Passing him on the street, however, you might have mistaken him for a drifter: his teeth were...

• Our Lexicon of Dark Corners to Light Up is Always Expanding

  LUMA: The details of the individual collective members aren’t currently available on your website. Can you speak to your decision to present Iris as a discrete entity (at least...

• A Failed Poet

  Frampton had a fraught relationship with the parts of the world that wanted him to be the person he was in the photograph in (nostalgia): the bookish, buttoned-down “leering”...

• Editor's Note

  Unmoored in the middle of nowhere.    John[sitetree_link,id=186] finds himself stranded in the dirt-encrusted mining town of Bundanyabba on his way to Sydney for the Christmas holidays. He meets Doc,...

• Fay Stevens

  *Fay Stevens* is an academic, curator, artist and writer. Her archaeological work, performance and art practice is a process of excavation; an unravelling of layers of time, memory and substance....

• Ektoplasm-o-vision! with Guy Maddin

  ML: Do you imagine “ectoplasmovision” as one long word, or with hyphens? GM: I sort of deleted it from my memory after attempting to coin the term. It seems...

• A Revolution (Briefly) Embodied

  For many in the Canadian South, there is Atanarjuat and then there is everything that came before: a pliable history whose key players are Robert Flaherty, the National Film Board and local broadcasting societies....