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                        SPAM: No More Plastic Humyns! I Want Affective Indoctrination.
                    
                
            
            
Yet, art institutions have fallen under more scrutiny in the context of the pandemic.8Though artists are expected to continue production for income and reputation, online art production has changed the...
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                        SPAM: No More Plastic Humyns! I Want Affective Indoctrination.
                    
                
            
            
If existing media systems and networks maintain and monetize off of colonialism, exploitation, state-sanctioned violence, and follow patriarchal operation manuals, then how do practices intent on resisting these motives...
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                        ᑭᔦᑐᐦᑌᐤ-kiyêtohtêw
                    
                
            
            
I use a false colour, infrared inspired film a lot of the time. I love the unpredictable and dreamy results. It turns yellows to pinks, dark blues to green,...
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                        A Land I Know as Well as Myself: Cheyenne Rain LeGrande ᑭᒥᐊᐧᐣ’s MASKEKEWAPOY ᒪᐢᑫᑫᐊ
                    
                
            
            
LeGrande is a Nehiyaw Isko artist from Bigstone Cree Nation who was living in the territory of Sḵwx̱wú7mesh (Squamish), Stó:lō and Səl̓ílwətaʔ/Selilwitulh (Tsleil-Waututh) and xʷməθkʷəy̓əm (Musqueam) Nations(so-called Vancouver)at the time. She was trying to understand how...
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                        Editor's Note
                    
                
            
            
Katarzyna Kozyra’s The Rite of Spring (1999-2002) is a seven-channel video installation in which a group of older bodies, choreographed by Vaslav Nijinsky, dance to Igor Stravinsky’s ballet of the same title. As the...
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                        Editor's Note
                    
                
            
            
The second video art installation that has been replaying in my mind like a loop in a black box gallery is Steve McQueen’s Deadpan from 1997. McQueen recreates...
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                        The Instability of Place: Kevin Lee Burton, Paul Wong & Amanda Strong on grunt gallery’s Urban Screen
                    
                
            
            
In Amanda Strong’s work the idea of place is explored through a six-minute, stop-motion animation titled Ghosts. It’s a story about the plight of the wolf and the caribou that...
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                        Telling Women’s Stories: A Spotlight on NFB Animation
                    
                
            
            
In Flawed (2010), Andrea Dorfman takes on the issue of body image. She draws and paints in real time as she tells a series of stories from her...
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                        Telling Women’s Stories: A Spotlight on NFB Animation
                    
                
            
            
Izabela Pluckinska uses Claymation to portray an older couple as sexual beings in Sexy Laundry (2012). The couple has rented a hotel room in attempt to rekindle their physical...
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                        Telling Women’s Stories: A Spotlight on NFB Animation
                    
                
            
            
Albertine Zullo and David Toutevoix’s The Cannonball Woman (2017) is about Madeline, a woman who loves to fly through the air after being shot out of a cannon....