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• Fascinated and Repelled: an Interview with Lorenzo Fusi

  SARAH TODD: Performing the Landscape was one of the first projects you launched almost as soon as you arrived in Calgary as Visiting Academic Curator of IKG. Your...

• Fascinated and Repelled: an Interview with Lorenzo Fusi

  ST: It’s a generalization, but I think that Canada has this kind of double-edged insecurity in relation to nature and art; on one hand, Canadians are kind of...

• Bogdan Cheta

  *Bogdan Cheta* lives and works in Calgary. He hopes that one day, he can switch places with his writing: that his writing will leave the page and start living...

• Concrete constructs of linearity

  When I was child growing up in a small town, my mother would indulge me in a fantasy that I possessed a magical power: the power to change...

• Concrete constructs of linearity

  Kite’s intermittent silences punctuated her memorized script with deep pitches of audio that engulfed us within a sonic ambiance. The audience shared a unanimous quietness, consciously engaged as Kite...

• Concrete constructs of linearity

  Gesturing to one of the walls, illuminated by a floor-to-ceiling projection, Kite’s open-palmed hand incited the transition of the visuals to project an animated rendering as she introduced Einstein’s...

• Concrete constructs of linearity

  On the morning following the performance, Kite and I sat together and shared familial anecdotes as a way of circumnavigating the work. We shared our childhood fantasies and mysticisms,...

• On Collectives, Projects, Film Itself, and a Sausage Factory

  *KEVIN RICE: Based on your experience with Double Negative[http://doublenegativecollective.blogspot.ca/], what do you think is the most critical function that a film collective serves, both for the individual filmmaker as...

• On Collectives, Projects, Film Itself, and a Sausage Factory

  *LM: With Process Reversal you’ve done a lot of touring, traveling, knowledge-sharing, and engagement, which is really quite different than the activities of Double Negative—would you say that those...

• On Collectives, Projects, Film Itself, and a Sausage Factory

  *KR: Over the last few years, you’ve been conducting interviews and producing footage for your soon-to-be completed newest work, The Story of Film, about the state of analogue film....