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• Blue Corridors: VOICES - Laura Anzola

  Humpback whales can weigh up to 40 metric tons. Their heavy bodies travel immense distances through migratory highways called blue corridors. One whale was recorded traveling 18,942 kilometres over...

• Don’t just sit, don’t just stop

  *LUMA: Yeah, that was one of my favourite parts—how it's so conversational... There’s a Romanian and then an English voice, and they’re all speaking really poetically, and whatever they...

• Forest Illuminations in the Time of COVID

  Since I arrived in Canada 18 years ago, I have slowly let this land and its own natural knowledge and mysticism slip into my soul like drip coffee....

• Desolate Stillness, Infectious Creativity: Polina Teif at WRECK CITY

  Between voice-overs, a soundtrack of solemn string instruments creates tension, a tightening, until eventual silence; an exhale. Polina uses the camera’s perspective to move us through a broken landscape—dry,...

• A Lineage of Self: Vivek Shraya’s TRISHA

  In the third diptych in the series, Shraya’s mother is draped in a pink robe, her arms wrapped around a stuffed animal. Shraya’s recreation alters slightly, and therefore personalizes,...

• Listening to Wetland Project on Earth Day 2020: “It’s always the right sound at the right time”

  The piece was presented as an immersive five-channel installation—a screen for each of the microphones on the log used for recording—at VIVO Media Arts Centre in Vancouver during Earth...

• Editor's Note

  I was recently left dead inside by “Longform Journalism in the Digital Age,” a panel discussion held at the Banff Centre a few weeks ago boasting the Online...

• By A Shift Of Distance

  3 Women demonstrates how Altman's creative development has arrived at an apt capability to eloquently explore more complex and stranger aspects of human nature by 1977. McCabe & Mrs....

• On Collectives, Projects, Film Itself, and a Sausage Factory

  *LM: With Process Reversal you’ve done a lot of touring, traveling, knowledge-sharing, and engagement, which is really quite different than the activities of Double Negative—would you say that those...

• Femme, Fierce, & f-stops: Women Working in Photography

  *CYG: Are there any factors (financial, age, gender, education, etc.) that help someone become a good photographer?* EB: The idea that you can’t be a real photographer unless you have...