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• Behind the Screen: Lessons from Making IN PLAINVIEW

  *TH: Whether you’re on your first film or your last, filmmaking is a learning process. There’s always something you wish you knew, something you could have done better.  What...

• Editor's Note

  Director of PACE Philomina Okeke-Ihejirika says “it is time to explore the specificities of blackness in Canada.” ⁹ The theme the PACE’s Black History Month 2021 is asking difficult questions, including a...

• Wiretapping Pakula's KLUTE

  Notably, Bree, not the titular Klute, is featured most prominently in the film. We see her in personal, private moments—talking to her therapist, alone in her tiny apartment, walking...

• FAVA TV: Bringing Media Art to the Masses

  The way the system was developed has influenced its success. With FAVA staff using it every day and offering feedback and suggestions, it has allowed growth and improvements according...

• On Collectives, Projects, Film Itself, and a Sausage Factory

  *KR: Over the last few years, you’ve been conducting interviews and producing footage for your soon-to-be completed newest work, The Story of Film, about the state of analogue film....

• Lorenza Mazzetti: Free

  In time, she heard that the school had a film society. She didn’t tell her professors, but she had decided to make movies. The first one, entitled K...

• Matthew Rankin Asks “Who Owns The Twentieth Century”?

  *GC: The heart is on the sleeve in Québec. * MR: Denis Coté, Stéphane Lafleur and Robert Morin, those are great Québécois ironists. I think for the most part, everyone...

• Concrete constructs of linearity

  On the morning following the performance, Kite and I sat together and shared familial anecdotes as a way of circumnavigating the work. We shared our childhood fantasies and mysticisms,...

• Ektoplasm-o-vision! with Guy Maddin

  Over the last five years, Maddin has obsessed over remaking lost and unrealized films from cinema’s early decades, a period from which only a small fraction of films...

• On Collectives, Projects, Film Itself, and a Sausage Factory

  *KEVIN RICE: Based on your experience with Double Negative[http://doublenegativecollective.blogspot.ca/], what do you think is the most critical function that a film collective serves, both for the individual filmmaker as...