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• What’s Found & What’s Wrought: On Abbas Kiarostami’s CLOSE-UP

  Kiarostami blurs the traditional line between documentary and fiction to tell and re-tell the story in Close-Up. The people involved all play themselves in the re-enacted scenes from the...

• Jason Edward Lewis: The Indigenous Future Imaginary

  LUMA: In Coded Territories, you talk about William Gibson, Jackson 2Bears talks a lot about Derrida, but how do you find negotiating this space between more settler, institutional methodology and your own Indigenous...

• Totally By Yourself In This Vast Emptiness: Ted Kotcheff on "Wake in Fright"

  TS: What was the Australian film industry like at the time? Was it similar to Canada’s or were they more developed? TK: Yeah, they were slightly more developed...

• THE QUEEN OF MY DREAMS: An Interview with Fawzia Mirza

  *Kristen Hutchinson (KH):* What brought you to tell this story?  *Fawzia Mirza (FM):* Well, it has its roots in a short film that I made that world premiered in 2012...

• As the Mind Tracks Shape... As the Mind Recalls Sound...

  JN: You’re known as a prolific chronicler, your camera and sound kit ever-ready to make recordings that may not make their way into resolved works for some time....

• Edmonton Sound Travels

  Gary James Joynes Gary James Joynes spent his 20s and 30s in rock bands playing original music, striving in the later years to land a record deal, the brass...

• Demons and Demonization: Filming the Anti-Dungeons & Dragons Hysteria

  Skullduggery has elements of a slasher film and of a demonic possession film but regularly swerves into other genres with little warning. It even becomes a teen comedy...

• Serenity, Destruction & Inauthenticity: The Transformation of Alberta in BROKEBACK MOUNTAIN and THE REVENANT

  The entire foundations of their separate lives are as false as the searing image of Ennis and Alma’s trailer home, a perfect “L” shape aligned with a small...

• Finding Community in Unfolding Spaces: An Interview with Vicki Van Chau

  *TT: *Being involved in EMMEDIA helped foster my sense of how I want to approach my work as an artist. At the time, there were opportunities you encouraged...

• That's a Bad Photo

  In an era defined by its self-consciousness, the contemporary image is clickbait, designed to appeal beyond local social communities to encapsulate a more global audience. Photographs distributed digitally often...