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Intimacy and Distance: Mona Hatoum at the Western Front
In Hatoum’s video Variations on Discord and Divisions, created at the Western Front in 1984, the boundary between the inside of the body and the outside is breached....
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Listening to Wetland Project on Earth Day 2020: “It’s always the right sound at the right time”
In a thoughtful move by Timmings and Marks, the Wetland livestream page also hosts the project’s Twitter feed, allowing a network of active listeners to share comments in real-time....
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Performing objects, readymade bodies
Video, photography, sculpture, and painting share a common space and duration in Liddington’s exhibition; autonomous objects from different disciplines have the opportunity to exchange meaning. In this, Merce Cunningham’s...
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Femme, Fierce, & f-stops: Women Working in Photography
*CYG: People often glamorize working as a freelancer: you get to pick your own hours, work from home, be your own boss, etc. I know that isn’t always...
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Serenity, Destruction & Inauthenticity: The Transformation of Alberta in BROKEBACK MOUNTAIN and THE REVENANT
Both films are about the inherent tensions of difference and diversity, between truth and lies – a natural fit for works that pass Western Canada as elsewhere in...
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Carbon Capture: Experimental Strategies for Re-Presenting the Anthropocene
In Michael Lyons’ Porto Landscape (2018), a “city symphony” film set in Porto, Portugal, various temporal devices are used to complementary effects. Lyons plays with mixing different “speeds” of...
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Creating a Baseline
*TS: You’ve never done something on this scale before. What has it been like making these kind of decisions? And how are you figuring out what you need...
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“A New Chivalry”: The Calgary Stampede on Film
It is likely due to the success of The Calgary Stampede that, seven years later, The Girl from Calgary, seems to assume that the viewer does not need...
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PRAYER FOR A LOST MITTEN: An Interview with Jean-Francois Lesage
*GC: Where did the idea for the film come from?* JL: I wanted to make a film about longing. We don’t have this word in French, but it’s...
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Alone Together, Fast and Slow: Browsing through the films of Greetings from Isolation
Daniel Cross’s Tire(d) (2020) is also artistic, slow and introspective. As he writes about the film, “Here I am sitting at the river, staring at this tire – buried in time,...