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• Savanna Harvey

  *Savanna Harvey* is a multidisciplinary creator. She is an organizer of secret midnight meetings, an instigator of resistance, and a recruiter of accomplices. As a creator-performer, she has toured...

• Requiem for a Glacier: Mourning Climate Change

  One of the first images in the video installation is of the chorus, shot from behind, being led by conductor Ajtony Csaba, music professor and symphony orchestra director at the University of Victoria. Everyone dressed in black to...

• Requiem for a Glacier: Mourning Climate Change

  In another section of the video installation, a woman attached to a safety rope, slowly and methodically walks across the glacier. She is singing with sheets of music in her hand, seemingly communing with, and offering homage to, the...

• Materiality, Interaction, and the Other: Colton Hash & Freya Olafson

  Hash’s Acoustic Turbulence (2019) also mixes the physical and digital by using the Unity WebGL platform to allow viewers to interact with hydrophone data from Ocean Networks Canada.¹Although the interactions are less complex...

• Materiality, Interaction, and the Other: Colton Hash & Freya Olafson

  Winnipeg, MB artist Freya Olafson’s work addresses these questions through an exploration of the body as material. Olafson uses the physical body and digital representations of the body to interrogate how the body can be used...

• Materiality, Interaction, and the Other: Colton Hash & Freya Olafson

  In Disembodied Beings (2019), Olafson contemplates the relationship between the  corporeal and digital body by mirroring a video of a physical person with the movements of the avatar, overlaid with an audio description of...

• Behind the Screen: Lessons from Making IN PLAINVIEW

  Watterworth chimed in adding that visually it’s akin to Hell or High Water[https://www.imdb.com/title/tt2582782/?ref_=fn_al_tt_1], a slow-burn story of two brothers who turn to bank robbing when they can’t pay the mortgage...

• PRAYER FOR A LOST MITTEN: An Interview with Jean-Francois Lesage

  *Guillaume Carlier (GC): Was it a surprise when you won?* Jean-Francois Lesage (JL): Yes, it was a surprise. Usually in a festival you would be going to the...

• The Art Experience vs The Art Object: Performing Arts in the Digital Realm

  A year and a half into the pandemic, and while we may have gotten technically better (audio mixing/switching blunders are less common, for example), we still haven’t entirely figured...

• The Art Experience vs The Art Object: Performing Arts in the Digital Realm

  What these audiences, our audiences, want from performing arts are art experiences. They can get their art objects elsewhere, and frankly, they can get better art objects by better...