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• Matthew Rankin Asks “Who Owns The Twentieth Century”?

  *GC: We learn it in school, we’re taught the steps.* MR: Exactly, and to some degree it can be a source of great collective action, and emancipation, but...

• Don’t just sit, don’t just stop

  *LUMA: You can engage with more of your senses too because there's music happening, there's movement; there's an emotional exchange that you get to be a part of,...

• Maybe We Should Have Made That Doc

  Interview with Christina Choe, recorded March 7th, 2018 in Los Angeles, CA. This interview has been edited for length.  *Berkley Brady (BB): How would you summarize the journey of [Nancy] actually getting...

• On Collectives, Projects, Film Itself, and a Sausage Factory

  *LM: I remember you telling me something interesting about film being a physical place for you. Can you explain that? * KR: Part of what I find interesting about a...

• Concrete constructs of linearity

  When I was child growing up in a small town, my mother would indulge me in a fantasy that I possessed a magical power: the power to change...

• Compassion and Resistance: Rita McKeough’s Works

  From exposing violence in the domestic realm to musing about post-apocalyptic futures, one cannot help but notice a speculative world where a human presence is redefined over time by...

• SPAM: No More Plastic Humyns! I Want Affective Indoctrination.

  These images that desperately vie for humyn²attention also become a representation of humyn bodies and their production, underpinning the values of a status quo in this moment and time. If aliens...

• The Art Experience vs The Art Object: Performing Arts in the Digital Realm

  I am an interdisciplinary performing arts creator and producer working out of Treaty 6 Amiskwaciywâskahikan-Edmonton and Treaty 7 Mohkínstsis-Calgary. When the first wave of COVID-19 hit our cities in 2020,...

• Serenity, Destruction & Inauthenticity: The Transformation of Alberta in BROKEBACK MOUNTAIN and THE REVENANT

  The transformed Albertan landscape is given fleeting snapshots in these opening moments, unrecognizable on account of the little time spent on them as well as the extent of the...

• A Lineage of Self: Vivek Shraya’s TRISHA

  Shraya discusses how the photos she is recreating are mediated: “I suspect that many of the vintage photos of my mom are the ones that my dad took,”...