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• GHOST DAYS: CVD 19 Series

  This photo essay is a continuation of my ongoing project Ghost Days, a collaborative project involving spirits and the living in collaboration to share creative works. We decided to...

• Lorenza Mazzetti: Free

  The idea behind Free Cinema became official in February 1956, one month after Lorenza finished making Together. She was heartbroken, but she still had her friends, a colourful group...

• Alone Together, Fast and Slow: Browsing through the films of Greetings from Isolation

  As evinced by the films described thus far, there is great diversity to the project but, by virtue of the works being made by filmmakers – rather than,...

• Declan Hoy

  *Declan Hoy* is an artist and writer whose projects explore photography, semiotics, and time. Recent projects include: The Usual Place, But To The Side (The Ivan Gallery, Calgary AB), and a show...

• The Wrong Side of the Tracks

  Navigating the road to adulthood is a tumultuous and emotional experience for most, as is the case for Christine “Lady Bird” McPherson, played by two-time Oscar nominee Saoirse Ronan...

• Totally By Yourself In This Vast Emptiness: Ted Kotcheff on "Wake in Fright"

  Despite a highly acclaimed Cannes debut, the film struggled to find an audience and disappeared into total obscurity, unavailable for over four decades. In 2009, a restored version (selected...

• Lorenza Mazzetti: Free

  In 1902, Roberto Einstein—Lorenza’s uncle—met Cesarina Mazzetti (Nina, to her family and friends.) A few years later, they married. Their own two daughters, Anna Maria and Luce, were born...

• Lorenza Mazzetti: Free

  Despite a childhood punctuated by war and murder, Lorenza has had major exhibitions of paintings in Israel, France, and Germany. In the 1950s, she co-founded Free Cinema, a film...

• Digging in the Dirt: Uncovering the Silent Epidemic Among Albertan Oil Workers

  Chris Johnson’s story follows Dallen’s. When Johnson started working in the trades at 19, it was perfect for a young kid. It gave him something to focus his...

• A Formalism of Feeling: Queer Temporalities and Memory in PORTRAIT OF A LADY ON FIRE

  It is noteworthy that during Marianne’s final days, she is haunted by prophetic, images of Héloïse in her wedding dress. Occurring right before having sex with Héloïse for the first time, and...