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• Editor's Note

  As noted in the Tate Museum description of the work: “In the House of My Father  was made for the 1997 exhibition ‘9 Nights in Eldorado’at South London Gallery which Rodney dedicated to his father...

• ᑭᔦᑐᐦᑌᐤ-kiyêtohtêw

  I use a false colour, infrared inspired film a lot of the time. I love the unpredictable and dreamy results. It turns yellows to pinks, dark blues to green,...

• A Formalism of Feeling: Queer Temporalities and Memory in PORTRAIT OF A LADY ON FIRE

  With these instances, Sciamma flirts with the coincidences present in heterosynchronic texts. What are the chances that Héloïse would still own the book so many years later, that the painter would...

• Desolate Stillness, Infectious Creativity: Polina Teif at WRECK CITY

  Among the eccentric programming, artist collective WYRDOS dressed as Charlie Chaplin, performing silent comedy acts through the glass of a vacant radio recording booth inside one of the exhibition’s...

• A Formalism of Feeling: Queer Temporalities and Memory in PORTRAIT OF A LADY ON FIRE

  The film’s slowness is essential to its nuanced development of desire over time, but the queer optics of this timeliness are challenged by Rosalind Galt and Karl Schoonover’s arguments around the queer potentials...

• FAVA TV: Bringing Media Art to the Masses

  “As formats change, we have a more automated process rather than having to feed it tapes again. The other thing is by decentralizing it, we can approach it...

• Behind the Screen: Lessons from Making IN PLAINVIEW

  But for filmmakers applying to the Talent to Watch program, there are a few deliverables you’ll need to keep in mind including a rough cut of the film,...

• The Many Faces of NOFAC3: Documenting Calgary’s Queer Underground

  Lloren moved to Calgary from Cebu City, Philippines at the age of 19 and attended the Alberta College of Art and Design (ACAD) where they majored in painting....

• Stalking Our Doppelgängers: An Interview with Filmmaker Isaac Ezban

  I would say 23 days in Vancouver is equal to 40 days in Mexico. In Mexico, things move slower. For example, you might start shooting two hours after...

• A Land I Know as Well as Myself: Cheyenne Rain LeGrande ᑭᒥᐊᐧᐣ’s MASKEKEWAPOY ᒪᐢᑫᑫᐊ

  LeGrande is a Nehiyaw Isko artist from Bigstone Cree Nation who was living in the territory of Sḵwx̱wú7mesh (Squamish), Stó:lō and Səl̓ílwətaʔ/Selilwitulh (Tsleil-Waututh) and xʷməθkʷəy̓əm (Musqueam) Nations(so-called Vancouver)at the time. She was trying to understand how...