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FAVA TV: Bringing Media Art to the Masses
“As formats change, we have a more automated process rather than having to feed it tapes again. The other thing is by decentralizing it, we can approach it...
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FAVA TV: Bringing Media Art to the Masses
The way the system was developed has influenced its success. With FAVA staff using it every day and offering feedback and suggestions, it has allowed growth and improvements according...
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Editor's Note
Media art and film creators are particularly fortunate given their creations can often be made available to the online masses either for free or behind a paywall. Still...
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SPAM: No More Plastic Humyns! I Want Affective Indoctrination.
These images that desperately vie for humyn2attention also become a representation of humyn bodies and their production, underpinning the values of a status quo in this moment and time. If aliens...
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Editor's Note
For me gallery going is one of the safer public activities to pursue these days: an almost silent, distanced, and individualistic time to commune with the artworks on display. A...
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Editor's Note
Lozano-Hemmer’s works are immersive and interactive dialogues with technology, often placing the body of the viewer at the centre of the artworks. The exhibition “includes a 30 metre long...
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Editor's Note
Lozano-Hemmer comments on art during the pandemic: With the continued devastation of COVID-19, experts have predicted that Museums will take years to recover, that crowded shows will be a...
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The Many Faces of NOFAC3: Documenting Calgary’s Queer Underground
Khrysta Lloren’s Catfish Killer (2017) is about a serial killer lying about who they are and using online manipulation to seduce, meet, and murder straight men.1Its satire for queers...
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The Many Faces of NOFAC3: Documenting Calgary’s Queer Underground
Lloren moved to Calgary from Cebu City, Philippines at the age of 19 and attended the Alberta College of Art and Design (ACAD) where they majored in painting....
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The Many Faces of NOFAC3: Documenting Calgary’s Queer Underground
It’s a very Warholian tendency – to always be creating and “cranking out” a high volume of media projects, honing their craft as they advance. Like their other influences...